Why neat, serious pop music lovers feel 10cc's 1975 original would've sounded better without Kathy Redfern's annoying be-quiet-big-boys-don't-cry nonsense


Analysis of 10cc’s 1975 Original Song
To address the question about why some neat, serious pop music lovers feel that 10cc’s 1975 original song would have sounded better without Kathy Redfern’s spoken word segment, it is essential to delve into the context and elements of the song itself.

Understanding “I’m Not in Love” by 10cc
“I’m Not in Love” is a renowned song by the British band 10cc, released in 1975 as part of their album “The Original Soundtrack.” The track is characterized by its unique production techniques, including its innovative use of multitrack recording and vocal layering. The song features a distinctive ethereal sound and emotional lyrics that resonate with listeners.

Kathy Redfern’s Spoken Word Segment
In the song “I’m Not in Love,” Kathy Redfern delivers a spoken word segment where she repeats the phrase “be quiet, big boys don’t cry” multiple times. This segment adds a haunting and somewhat eerie quality to the song, contributing to its overall atmosphere and mood.

Perception Among Neat, Serious Pop Music Lovers
Some neat, serious pop music lovers may feel that Kathy Redfern’s spoken word segment disrupts the flow or detracts from the musical experience of the song. They might perceive it as unnecessary or distracting, especially if they prefer a more straightforward approach to music without such spoken interjections.

Subjectivity in Music Appreciation
It is important to note that opinions on music are highly subjective, and what one listener may find annoying or unnecessary, another may appreciate for its artistic value or contribution to the overall composition. Different listeners have varying preferences when it comes to musical elements like spoken word segments, and these preferences can influence how they perceive a particular piece of music.

Conclusion
In conclusion, the perception that 10cc’s original song “I’m Not in Love” would have sounded better without Kathy Redfern’s spoken word segment is subjective and varies among individuals based on their personal tastes and preferences in music. While some neat, serious pop music lovers may find the segment disruptive, others may view it as an integral part of the song’s artistic expression.

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